Sitting through Timeline's phenomenal World premiere of Susan Felder's ‘Wasteland' is one of the most daunting and moving experiences you will have in the theatre. Everything regarding this production is painstakingly and methodically crafted to make it palpable.
Wasteland (not to be confused with the T.S. Elliott poem) tells the segmented story of two Vietnam prisoners of war, only one if which we get to see, while the other is a disembodied voice. The soldiers are held in separate underground cells with only a small hole high above to give them a glimpse of natural light. Both G.I.'s are named Joe (ironic), but that is where the similarities end. The first Joe (Nathan Burger) we are introduced to is a self proclaimed Yankee who struggles with his sexual identity. He has been held for six months and the mental and physical scars are prevalent. The captures soon bring in his antagonist who is held in the Earth next to Joe and is called by his last name, Riley (Steve Haggard). Where Joe is a more educated, anti-war, progressive character, Riley is fulfilling his duty has American where the mission is not be to questioned. This sets up the duality of the evening, allowing the two P.O.W.'s to find commonality in their dire dilemma.