Myth, metaphor and pathos are all stirred up into one tightly woven 90 minute emotional roller coaster drama as playwright Edwin Sanchez gives us inward and outwardly flawed characters all in the lore of Icarus. Presented by one of my favorite companies, Bohemian Theatre Ensemble, Director P. Marston Sullivan has carefully selected a cast that has been able to flesh out fully drawn characters from a script that leaves much to the actor's imagination and discretion.
Sanchez's piece brings into focus how much emphasis we place on outward appearances and how deceptive we can be to the ones we care about to not only protect them, but in certain situations, give the ultimate sacrifice to allow others to truly fly.
The Icarus character here comes in the form of a wheel-chair bound, would be swimming star Primativo, wonderfully encaptured by Nicolas Gamboa who is under the constant care and guidance of his facially disfigured sister, Altagracia, a tour-de-force performance by Brenda Arellano. Homeless, they take refuge at an empty beach house. Primativo begins his training in the ocean, for which it is his goal to one day swim out far enough to be able to touch the sun and thus gain world wide fame. The relationship between Primativo and Altagracia is so real and touching that the audience is immediately effected by the love and respect of the brother/sister relationship.