Writing a play about one's subconscious mind is on its face a daunting task. Take that a step further and adapt Haruki Murakami's best selling "Kafka On The Shore" for the stage is nearly impossible. Enter, Steppenwolf, the only theatre company in the world that make the impossible possible and add in the mix Tony award winning director Frank Galati, and you end up having a feast for mind and for the eyes, as long as you don't over think the premise. In this much anticipated adaptation, which is described as "a young boy's coming of age parallels an old man's search for destiny in modern day Japan where the everyday reality, dreams and imagination are constantly crossed", the less you try to figure out where the story goes next, the more you will like this physically beautiful production.