The gardens surrounding the Taj are exquisite, made even more lovely by the bright, colorful saris of local female tourists. Structurally, the Taj Mahal was intelligently designed. The four minarets are angled slightly outward so that if they were ever to fall, they wouldn't harm the mausoleum. The letters of the words that frame the arches gradually get larger as they go up, so that even though they are further away, they appear the same size. Oh, and the words are not painted, in fact there is no paint on the Taj Mahal. They are created from inlaid onyx, and they are perfect. As you get closer to the Taj Mahal, you see that it isn't just a large white building. Instead, it is covered by multicolored, unbelievably intricate floral designs. Again, these are not painted patterns, but rather inlaid semi-precious gems like cornelian, lapus lazeri, and coral. Cornelian is especially unique because it glows brightly when light is beamed into it.
We stayed on the grounds for over an hour, bewitched by her beauty, marveling at how her color changed with each passing minute. As it got darker, we reluctantly left the Taj Mahal, and as we gazed back, she glowed flashed a bright smile back at us, glowing from inside. This glow was truthfully caused by the flashlights of various tour guides, illuminating the floral Corenelia stones for their travelers. What could be better than sunset at the Taj Mahal? As we found out the next morning, sunrise.
As hard as it was to wake up at 5 am and head to the Taj at daybreak, we rallied and once again boarded our golf cart.
Monkeys greeted us at the entrance, causing us to think the expression, "early bird" should really be "early monkey", their charms working on many of the tourists.