Sometimes, especially if you review movies, you have a chance to sit through a movie a second time. You hope, on the second viewing, you might see something you missed the first time. Now on DVD, Interior. Leather Bar. (Strand), co-directors James Franco and Travis Matthews' re-imagining of the lost 40 minutes of footage from William Friedkin's derided 1980 gay-themed flick Cruising, didn't reveal anything different the second time around.
As pretentious as it is well-meaning, Interior. Leather Bar. is a movie within a movie about a movie (following?). Inspired by Michael Warner, one of his Yale profs, Franco and his gay co-filmmaker (and the writer of the Interior. Leather Bar. screenplay) Matthews present an assortment of perspectives, including their own, about sexuality, homophobia, eroticism and freedom of expression.
Franco and Matthews meet with lead actor (and sort of Al Pacino lookalike) Val Lauren, who admits to being uncomfortable with the material. Keep in mind that Lauren is the kind of straight guy who notices that Franco got a haircut (just saying). Val's wife, however, is down with the project, while an unnamed homophobic friend of Val's doesn't hold back about his feelings (some related to career repercussions) in voice-mail message or in a phone conversation.
The truth is, the movie doesn't make Franco look all that good either. While the project appears to have a noble mission (Franco says something about gay sex ought to be part of movies in the same way straight sex is because "it's a great tool to tell stories"), it all comes off as voyeuristic. Franco insists that it's not "a porno for titillation," but it difficult to come up with what is the exact function of the film.
The worst thing you can say about movie that is supposed to be erotic and sexually charged is that it's boring. But it is. Maybe the best thing that can come of Interior. Leather Bar. is that it might lead people back to the original to see what all the fuss is about. Bonus features include two queer short films – one by Franco and one by Matthews, as well as interviews with the filmmakers.