Thu. September 30, 2010
By John Olson
Chicago, in addition to being Stephen Sondheim's professed second favorite U.S. city and host to historic productions of many of his musicals, is also home to the painting that inspired the musical Sunday in the Park with George. Ironically, it's been easier for Chicagoans to see Seurat's massive A Sunday Afternoon on the Island of La Grande Jatte at the Art Institute of Chicago than to see a fully visualized production of Sunday. The Goodman did one back in 1987, but to my knowledge the only major professional productions of the piece in this area since then have been Chicago Shakespeare's intimate but minimalist version in 2002 and the Ravinia Festival's staged concert in 2004.
Kudos to Porchlight for giving us a fully designed Sunday for its 11th Sondheim production in 10 years (12th if you count Candide). Even more impressive, though, is that their show does full justice to Sondheim's complex score, thanks to the gorgeous vocals of its young leads and the rich accompaniment of music director Eugene Dizon's seven-piece orchestra.
Porchlight's George is Brandon Dahlquist, a tenor-baritone who has worked his way up through various off-Loop non-Equity productions over the past five or six years into union membership and roles at Chicago's Equity musical theaters. I've heard him sing mostly baritone parts in the past, where his big, confident voice has been used to good effect. He's just as good a tenor here, and he handles George's many softer moments with skill and sensitivity. Dahlquist's take on the 19th century George is warmer and more likable than the role is often played, though after Dot leaves him, he retreats (rather abruptly) and assumes a harder shell. In act two, his 20th century George is effectively nuanced, capturing the character's combination of charm and insecurity, and he delivers a peppy "Putting It Together."
Some years ago, Porchlight began a development contract with Actor's Equity, allowing them to hire one Equity actor to work with a non-union cast. In so doing, they brought in performers from outside the ranks of the off-Loop community to handle more demanding roles (like Sweeney Todd, for example). It's heartening to see Dahlquist and Godwin, who not too many months ago would have been supporting the union "guests," ascend to the role of Equity stars themselves. That they do so in a production which can be remembered alongside the other major Chicago mountings of this landmark show with such an important tie to the community is a testament to the Chicago theater community's ability to attract and nurture young talent.
Sunday in the Park with George will be performed Fridays through Sundays at Stage 773, 1225 W. Belmont, Chicago, through October 31, 2010. The performances are Fridays at 8 p.m., Saturdays at 8 p.m., and Sundays at 2:30 p.m. Single tickets are $38.00, and discounts for seniors, students and groups are available. Tickets may be purchased through the Stage 773 box office at 773.327.5252 or at www.stage773.com.
Photo: Brandon Dahlquist and Jess Godwin
Photo by: Johnny Knight
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