Thu. July 3, 2008
By Michael J. Roberts
First, let's get the elephant out of the room. Tracy Lett's August: Osage County is a masterpiece and will go down as one of the 10 best plays of the 20th century. Now it is time to move on. , Mr. Lett's much anticipated new play (which he actually began writing before August) is a totally engaging intimate drama with plenty of comic moments thrown in.
Mr. Lett's is a genius at giving his audience a true taste of ethnic culture and the local Chicago neighborhood vibe is palpable. In Superior Donuts, the Polish and Russian immigrants are explored to great emotional panache. What drives Superior Donuts is the concept of change and how open we as citizens are to accepting it. Sometimes we oppose it until it is forced upon us, sometimes we want it and sometimes it is destined. How each of these players copes with change is the key to this play's great gritty underbelly.
As with any family run shop that has been around for decades, there are the daily regular customers. At Superior Donuts, the cast of characters include Chicago cops Randy (Kate Buddeke) and James (James Vincent Meredith), a semi-recovering alcoholic, Lady Boyle (Jane Alderman) and the Russian businessman, Max (Yasen Peyankov) who's dream it is to buy Superior Donuts and complete is dream of turning the block into a large electronic store to rival "Best Buy".
As Arthur, Michael McKeon gives an understated and emotionally controlled performance that is absolutely amazing and heartbreaking. McKeon's stillness and how he reacts to the turmoil around him makes the play all the curious and enjoyable. A master at improve, Mr. McKeon is able to take in every line that is being spoken to his character, digest it and with his body movements, relate what he is thinking without speaking. He is sensational to watch.
Jon Michael Hill also gives a truly heart wrenching performance as Franco. His emotional journey is gripping, beginning as the ambitious wide eyed kid who can't wait for the world to embrace his writing at the beginning of the play, to a victim of violence who becomes the emotionally shut down equivalent of Arthur by the end.
Director Tina Landau has let the words be the focus of this play and gives great deference to this amazing core of actors. Ms. Landau moves the action at a controlled and deliberate pace which allows each of the characters to become fully developed.
Superior Donuts plays through August 17, 2008 at Steppenwolf Theatre Company, 1650 N. Halsted St., Chicago. For show times and tickets, please visit www.Steppenwolf.org or call the box office at (312) 335-1650.
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