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February 2, 2012
Michael J. Roberts GoPride.com columnist

BoHo's 'Tartuffe' Not Lost In Translation
 

Controversy and cynicism are sure to follow any modern translation of a classic. Moliere's "Tartuffe", currently presented by the Bohemian Theatre Company and directed by Peter Robel has decided to tread in these waters. For their staging, the company has decided on the 1991 Ranjit Bolt very controversial translation which in many aspects, abandons wry wit for in your face comedy. In any other hands, this could end up as an artistic debacle. However, Mr. Robel never lets the piece get away from him and by understanding Moliere's subtleties and intentions, allows his actors to explore other dimensions of these well known characters not often seen in less radical translations.

The original story remains intact here. Tartuffe is a mere con artist masquerading under the cloak of clergy to gain what most religious zealots want: property. That property is owned by Orgon (Sean Thomas), where Tartuffe has made himself part of the family, much to the chagrin of the others who see the obvious. It is in the obvious that the story finds its humor and pathos.

Mr. Robel has assembled a sensational cast. In the title role, Jeremy Trager is narcissistic and at times maniacal. Saren Nofs-Snyder's nosy servant takes her cues from Marla Gibbs on "The Jeffersons" and is terrific; as is Chris Ballou as the lovelorn Valere, who possesses sensational comic timing. Aesthetically the production is also beautiful, from Nick Belley's soft hued lighting of Chad Bianchi's very functional set to Kate Setzer Kamphausen's glorious costumes, "Tartuffe" is another success for BoHo which as a theatre company, has become one of Chicago's biggest assets.

There are better modern translations of "Tartuffe". Christopher Hampton's 1983 version is far superior containing much more of a conversational dialogue with the characters. But Ranjit's "Tartuffe" does have its place. In our time where religious pompousness seems know no boundaries, either ethically or criminally, "Tartuffe" is the ultimate reflection on our own blindness on trusting men of faith.

"Tartuffe" runs through February 12th at Theatre Wit, 1229 W. Belmont, Chicago. For tickets please visit www.theatrewit.org or www.bohotheatre.com

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About Michael J. Roberts


Michael J. Roberts is a contributing reviewer for ChicagoPride.com covering Chicago's diverse arts and entertainment scene. In addition to his contributions on ChicagoPride.com, he operates the website www.ShowBizChicago.com.
Michael is originally from New York where he ran a theatrical production company for many years. Encore Theatrical Productions produced many east coast tours of musicals and plays, including La Cage Aux Folles, Man of La Mancha, The Odd Couple, Guys and Dolls and I Do, I Do. In 1994 Michael left the Big Apple for the Windy City to attend law school and has since made Chicago his home. In 2005 Michael decided to follow his passion for theatre and created Chicago's premier theatre website complete with its first talk show focusing of all aspects of Chicago theatre.
Michael still continues to bring productions to Chicago, with the 2007 U.S. Premier of Jerry Springer-The Opera at the Bailiwick Theatre, as well as the Chicago premier of Bare, A Pop Opera.


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